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Willie Daniels (1950-2021)
Willie Daniels is a prominent figure in the world of Florida art, having grown up near legendary artists like Roy McLendon, Mary Ann Carroll, and Harold Newton. This fortunate circumstance allowed him to learn from these masters, absorbing their techniques and artistic philosophies from a young age. He also integrated the speed painting methods of Alfred Hair into his practice, enabling him to produce vivid and detailed representations of Florida's stunning landscapes, including its coastlines, rivers, and savannas. Over time, Daniels honed his skills on both canvas and board, establishing himself as a versatile and talented artist.
After taking a hiatus from painting to work various odd jobs, Daniels re-emerged in the late 1990s at a time when the Highwaymen-an ensemble of African-American landscape artists-were gaining renewed recognition. Initially dismissed by critics as creators of "hotel art," these artists, including Daniels, were primarily focused on making a living through their craft. Their prolific output and dedication to their art allowed them to thrive and become part of what is often referred to as "The last great American Art movement of the 20th Century.' The collective effort of the Highwaymen has cemented their place in the annals of art history.
The revival of interest in the Highwaymen can be attributed in part to Florida art researcher Jim Fitch, who uncovered their story after hearing rumors about a group of African-American artists in Fort Pierce. His efforts led to the coining of the name "The Highwaymen" and ignited a series of events that brought them national attention. In 1995, reporter Jeff Klinkenberg joined Fitch in his quest to document these artists, culminating in the first newspaper article that highlighted their work. This newfound visibility led to a resurgence of their paintings, which had been hidden away for decades, and sparked further exploration of their legacy, including multiple films and documentaries currently in development.
